Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now! While organizing the music for The T.A.M.I. His subsequent work as an arranger, composer and pianist took him into significant collaborations with the Rolling Stones, Sonny and Cher, Neil Young … Rolling Stone’s definitive list of the 500 greatest songs of all time. 2 in the UK), Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together"; he also wrote the choral arrangements for "You Can't Always Get What You Want".While copying musical scores, he met Sonny Bono, with whom he wrote the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers.She fared better with the Sonny Bono-Jack Nitzsche song "Needles and Pins" and the self-penned "When You Walk in the Room" later in 1963.He became arranger and conductor for producer Phil Spector, and orchestrated the Wall of Sound for the song "River Deep, Mountain High" by Ike and Tina Turner.As he was moving from baroque to hard rock, Young hired Nitzsche for The Stray Gators, the session musicians behind Young on Harvest (1972) and Time Fades Away (1973).It consisted of Jack Nitzsche (piano), Ben Keith (steel guitar), Tim Drummond (bass) and Kenny Buttrey (drums) (the latter replaced during the 1973 Time Fades Away tour by Johnny Barbata).He also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest.Instead, he used modern classical compositions, including portions of the 1972 Cello Concerto No. He also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest. It was all part of this package that was created around the Stones. 2 in the UK), Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together"; he also wrote the choral arrangements for "You Can't Always Get What You Want".Keyboard parts were contributed by former member Ian Stewart and frequent collaborator Jack Nitzsche.While organizing the music for the T.A.M.I. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now! © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. People believed it existed. 1, of Polymorphia, and other pieces by Polish composer Krzysztof Penderecki, Five Pieces for Orchestra by Austrian composer Anton Webern as well as some original music by Jack Nitzsche.Nitzsche produced three Willy DeVille albums beginning in the late 1970s: Cabretta (1977), Return to Magenta (1978) and Coup de Grâce (1981).He worked with collaborators from across the spectrum of contemporary music, including Jack Nitzsche, Doc Pomus, Dr. John, Mark Knopfler, Allen Toussaint, and Eddie Bo.While organizing the music for the T.A.M.I. He collaborated with Neil Young, beginning with producing "Expecting to Fly" by Buffalo Springfield. He was arrested for pistol-whipping then-girlfriend actress Carrie Snodgress and threatening to kill her and Young’s son in 1979. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now! Bernard Alfred Nitzsche (22 April 1937 – 25 August 2000), known professionally as Jack Nitzsche, was an American musician, arranger, songwriter, composer and record producer.He first came to prominence in the late 1950s as the right-hand-man of producer Phil Spector and went on to work with the Rolling Stones and Neil Young, among others. For these early tours, Rolling Stones’ founder and guitarist, Brian Jones, sat in on the piano when the song called for it. He became arranger and conductor for producer Phil Spector,On several Rolling Stones records, he was credited as player of the "Nitzsche-phone". And they were inventing fresh sounds with old toys—therefore, it deserved to be highlighted—it was the read-up of creation, of imagination—getting credit for a job well done.While remaining prolific throughout the 1970s, he began to suffer from depression and problems connected to substance abuse. Show television special in 1964, he met The Rolling Stones, and went on to contribute the keyboard textures to their albums The Rolling Stones, Now! (The Rolling Stones No. Retrieved January 8, 2013. "Needles and Pins" is a rock song credited to American writers Jack Nitzsche and Sonny Bono.While copying musical scores, he met Sonny Bono, with whom he wrote the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers.One of his earliest songwriting efforts, "Needles and Pins" was co-written with Jack Nitzsche, another member of Spector's production team.While organizing the music for the T.A.M.I. He is also noted for his motion picture work, including the scores and eerie mood pieces of Though Nitzsche had a stellar reputation as an arranger and composer, his private life was a bit more spotty. In 1983, he received the Academy Award for Best Song for co-writing "Up Where We Belong" (from the 1982 film In the mid-1990s, an inebriated Nitzsche was seen being arrested in Hollywood in an episode of the television show Nitzsche met his first wife, singer Gracia Ann May, while he was working for Capitol Records.Nitzsche suffered a stroke in 1998 which ended his career.
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