When we finally got it, it was a victory no doubt and we were all very pleased. In 1976 Dragon's Playground appeared on ATV's New Faces.

I had to fight to keep this track. Michael Omartian had taken over the acoustic piano duties at that point and he was really holding the groove down nicely.

There was a big listening party at Chris’s apartment with a lot of friends and local luminaries like Billy Gibbons of ZZ Top, who was a big fan before we ever had a record. My original part was very simple, ala my mentor at the time Gary Osier. Keep ‘em dancin!’ The tempos are all the same. It was a smash.

It was also my suggestion to have Nicolette sing on the record. The track is fine…but it was never much of a song. We’ll pick it back up and play out.” So that was how that bit of the arrangement happened.Truly the one thing I learned from the first demo session I ever did with the guys, was that you never stop even if you think it’s a mess.

Omartian was not listening to the drum machine in the control room and never noticed. Kick on 1 and 3 only. One of my favorite songs but we did end up cutting this one to the drum machine and it just is soul-less to me.

We really didn’t hear the finished product until the fall of 1979.

We all just started jamming the piece and Chris started singing in the scratch mic.Luckily Chet Himes, our dedicated brother and head engineer on the sessions leapt into action and got the tape machine rolling.

It was fine. Official Website for Tommy Taylor. He actually asked if we used it, if he would still be getting cred for it on the record. I don’t know that much stands out about it drumming wise except it’s got nice textures.

Taylor was born in Denver but grew up in San Antonio, Texas. When we listened back and realized what we had we were sort of awed by it.There is a certain victorious aspect of the vibe.

Drums: Associated acts: Tom Robinson Band (1976–1978) Stiff Little Fingers (1982–1983, 1987–1996) Spear of Destiny (1983-1986) Brian "Dolphin" Taylor (born 10 November 1958) is a British drummer. I don’t know that much stands out about it drumming wise except it’s got nice textures. Of course he as the producer had the final say. Drum wise it’s one of my better moments I think.The third song is “Spinning.” Strangely, this is by far my favorite track on the LP. Rob, who had been off of the grand piano for the sessions and on Rhodes was feeling a new direction having listened to Omartian for consecutive days. That and Jay Graydon’s lead are probably the best things about it.The second song is “I Really Don’t Know Anymore”.

Jeff didn’t fare much better. What he played…wasn’t subtle enough. Studio in Los Angeles. The tom on 2 and 4 in the bridge is actually Omartian, playing an old round badge Gretsch 8×12 I shipped out to him with a CanaSonic head on it specifically for the part.

Thayer's guitar is equipped with Seymour Duncan® humbuckers, engraved Tommy Thayer metal truss rod cover, mirrored nickel pickguard, eye-catching Electric Blue sparkle finish, Spaceman logo on the back of the headstock, and a custom blue hardshell case. Just the four of us. He wanted to start the song with a Chorus as he’d never done that before.
One of the aspects of the album that immediately stand out in my mind is the steady and smooth drumming of Tommy Taylor. “Christopher Cross” is the self-titled debut album by the Christopher Cross band, released in December of 1979. I listened to what he was talking about and even though I was not as important of a sounding board as Rob and Andy on that level…I just blurted out, “Why not ‘Say You’ll Be Mine?’”  I actually was eating those candy hearts that you get at Valentine’s Day at the rehearsal with the little notes written on them. He knew what he wanted to say. BORN IN: Denton, Texas in 1957 LIVES IN: Austin, Texas DRUMMING SINCE: 1966 CURRENT BAND/PROJECT(S): The Eighty Sixxed, Antone’s Blue Monday I had a very difficult time crashing a cymbal without it being supported by the kick drum I remember at first. Russ Thyret, head of promotion was a genius and he ran that ball as well as anyone I’ve ever known. We of course agreed and he added his bits in overdubs.
“The Light Is On.” This was always one of my favorites because I actually made up the figure for the main portion of the drum part. It was the first piece I ever played with the group at the rehearsal for my first demo/audition recording. We just had it for this one that day. I quickly adjust the feel to basically what is on the record and the band arranges the tune on the spot. We really were a rock band at heart and this was taking all the balls out of our one real rocker.

I somehow mastered the pop ballad. One of my favorite songs but we did end up cutting this one to the drum machine and it just is soul-less to me. I think my playing really shines on this one. Chris was very unsure of the performance…but for whatever warts and bumps it has, I knew the vibe would carry it. Jeff didn’t fare much better. It was our pick for the second single.

The track is fine…but it was never much of a song. They were listening to the strings solo’d and he assumed it was the intro and commented that he thought that was a great way to start the song.

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