How do black males truly feel about the way women and violence are talked about in rap music? Image provided by: CDC/ Alissa Eckert, MS; Dan Higgins, MAM

Some features of WorldCat will not be available. The documentary explores the issues of masculinity, violence, homophobia and sexism in hip hop music and culture, through interviews with artists, academics and fans. Thanks for signing up to our newsletter!

How do black women and men feel about the pervasive images of scantily clad and sexually objectified women in rap music and videos? (by 1 person)

Critically acclaimed for its fearlesss engagement with issues of race and racism, gender violence, and the corporate exploitation of youth culture.The subject field is required. Filmmaker Byron Hurt, a life-long Hip-Hop fan, was watching rap music videos on BET when he realized that each video was nearly identical. With every workshop, I grew more confident and passionate about ending men’s violence against women.

At that point, I knew next to nothing about these issues, so I read and learned as much as I could about rape, sexual assault, battery, and sexual harassment. ; National Black Programming Consortium. The E-mail Address(es) field is required. ; Media Education Foundation.

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About Hip-Hop: Beyond Beats and Rhymes, 2006. You will now receive any updates from Byron Hurt!

; Busta Rhymes, (Musician); Michael Eric Dyson; Kevin Powell; Beverly Guy-Sheftall; Independent Television Service. I decided to pick up the camera to make a film about the gender politics of the music and the culture that I grew up with and loved: hip-hop.I have not always paid such close attention to gender politics. Please re-enter recipient e-mail address(es).The name field is required. The end product is an intriguing film, Hip-Hop: Beyond Beats and Rhymes, that takes on not only issues of masculinity in hip-hop, but also misogyny, violence, and homophobia, from the perspective of a Black male hip-hop head (fan).

(by 1 person) Guys in fancy cars threw money at the camera while scantily clad women danced in the background.

Critically acclaimed for its fearlesss engagement with issues of race and racism, gender violence, and the corporate exploitation of youth culture.

A riveting examination of masculinity, sexism and homophobia in hip-hop culture. Please enter the subject.

What do today’s rap lyrics tell us about the collective consciousness of black men and women from the hip-hop generation? Looking back, my involvement with the MVP program for more than 10 years was a turning point in my life.I wanted to share what I had learned about gender with other black males in my community, so in 1994, I produced and directed the documentary This program was produced by God Bless the Child Productions which is solely responsible for its content.© 2006 God Bless the Child Productions. (Official selection of the 2006 Sundance Film Festival.\" ;The film -- About hip-hop -- The issues -- Rate & comment -- Submit your own -- Learn more -- Get involved -- Talkback -- Preview -- Schedule.\"@A riveting examination of masculinity, sexism and homophobia in hip-hop culture.

( A riveting examination of masculinity, sexism and homophobia in hip-hop culture.

They all featured guys throwing money at the camera, dudes in fancy cars showing off their "iced-out" jewelry and, of course, lots of barely dressed, sexually available women as background props.As I saw how formulaic rap music videos had become — with their limited and narrow representations of manhood — I began to wonder, how do black men feel about the representations of manhood in hip-hop culture? What does homoeroticism in hip-hop media look like?

Critically acclaimed for its fearlesss engagement with issues of race and racism, gender violence, and the corporate exploitation of youth culture.\"@

“And I began to become more conflicted about the music that I loved.” The result is Sparking dialogue on Hip-Hop and its declarations on gender, The film also explores such pressing issues as women and violence in rap music, representations of manhood in Hip-Hop culture, what today’s rap lyrics reveal about the artists, and homoeroticism in Hip-Hop. ;] -- A riveting examination of masculinity, sexism and homophobia in hip-hop culture.

I reflected on how these issues affected my own life and thought deeply about how, as a male, I had been socialized.In 1993, I nervously addressed my first group of men, a college basketball team.

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All rights reserved.New York Times, Dec. 24, 2006: Fans asks hard questions: About rap musicSan Francisco Chronicle, Feb. 20, 2007: Review - Academic view of violence and sexism in Hip-HopWashington Post, Feb. 20, 2007: A Hip-Hop fan hunts the reason behind the RhymeNew York Daily News, Feb. 19, 2007: Crimes behind the 'Rhymes'Reuters, Feb. 20, 2007: U.S. Hip-Hop film sparks debate on masculinity Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt.

“The more I grew and the more I learned about sexism and violence and homophobia, the more those lyrics became unacceptable to me,” he says.

; Chuck D; Jadakiss. A “loving critique” from a self-proclaimed “Hip-Hop head,” In the year 2000, I was watching the rap music video countdown on BET’s Rap City — one of my favorite pastimes — when I noticed that nearly every video appeared to be the same.

Reliable information about the coronavirus (COVID-19) is available from the World Health Organization (Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. [Byron Hurt; Mos Def, (Rapper); Fat Joe. Please enter the message.Would you also like to submit a review for this item?

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